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<b>From:</b> <span dir="auto">Ars Electronica Linz <news@ars.electronica.art></span><br>
<b>Sent:</b> 12 February 2026 14:10:36 CET<br>
<b>To:</b> <span dir="auto">Federico Bonelli <fredd@trasformatorio.net></span><br>
<b>Subject:</b> <span dir="auto">Ars Electronica News 1/2026</span><br>
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<table width="100%" style="min-width:100%;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td><table width="100%" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="background-bg-dark" style="background-color:#F4F4F4;" bgcolor="#F4F4F4"><table
class="full" width="700" cellpadding="0" cellspacing="0" border="0" role="presentation" align="center"><tr><td class="background-bg-dark" style="background-color:#F4F4F4;"><table class="full" align="center" style="width:700px;max-width:700px;margin-left:auto;margin-right:auto;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="background-dark text-light l-row tmpl--padding" style="text-align:center;background-color:inherit;padding-left:66px;padding-right:66px;" bgcolor="inherit"><div class="a_dark" style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:11px;line-height:16px;text-align:center;">If this newsletter isn't displayed correctly, click this <a href="https://cdn.mlwrx.com/sys/w.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&mid=55b2732c&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0dhe7FmFizkF0IyhgckiAOri0" style="color:#000000;text-decoration:none;">link</a>.</div><div
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<td class="background-dark l-row" style="text-align:center;background-color:inherit;font-size:0;line-height:0;" bgcolor="inherit"><div class="scale center-img"><a href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG7c"><img src="https://cdn.mlwrx.com/Media/6fc5c5ac-c039-4bef-a278-faaaf526842d/2026/Ars-Electronica-News-12026-DE/header_nl_2a6019f4-686d-4837-b289-9bab0d5f9135.jpg" width="700" height="400" border="0" style="display:block;" alt="header_nl.jpg"></a></div></td></tr></table></td></tr></table></td></tr></table><table
width="100%" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="background-bg-dark" style="background-color:#F4F4F4;" bgcolor="#F4F4F4"><table class="full" width="700" cellpadding="0" cellspacing="0" border="0" role="presentation" align="center"><tr><td class="background-bg-dark" style="background-color:#FFFFFF;"><table class="full" align="center" style="width:700px;max-width:700px;margin-left:auto;margin-right:auto;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="background-dark l-row tmpl--padding" style="text-align:center;background-color:inherit;padding-left:66px;padding-right:66px;" bgcolor="inherit"><div height="50" style="height:50px;font-size:50px;line-height:50px;"> </div><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:32px;line-height:48px;text-align:left;font-weight:bold;" class="a_dark text-light"><div
style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:32px;line-height:48px;text-align:left;font-weight:bold;">The end of a pleasant fiction</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:16px;line-height:25px;text-align:left;" class="a_dark text-light"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:16px;line-height:25px;text-align:left;"><div><i><strong>“The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear.”</strong></i></div><div>
<br></div><div>What Antonio Gramsci (1891–1937) once wrote feels strikingly contemporary. Across politics, technology, and culture, we appear to be living in exactly such an in-between moment—aware that something fundamental is coming to an end, yet unable to see clearly what will replace it.</div><div><br></div><div>Politically, this uncertainty has led leaders such as Canada’s Prime Minister to speak of a “rupture in the world order”: the end of a pleasant fiction and the beginning of a harsher reality, one in which geopolitics is increasingly unconstrained by rules or limits.</div><div><br></div><div>Technologically, it marks a phase in which many highly qualified workers are caught in a self-defeating loop: coders build AI systems meant to surpass them; writers and translators refine AI-generated texts, hastening the automation of their own labor; musicians and sound designers train generative audio tools that threaten to replace commissioned work altogether.</div><div>
<br></div><div>Culturally, this interregnum manifests in growing polarization. As social media converges with generative AI, echo chambers deepen and feeds are increasingly saturated with machine generated content. The visual culture that once allowed us to distinguish between the real and the fabricated is eroding – along with a shared sense of reality (explored further in our latest <a style="color:#000000;" href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG89">podcast episode with U.S. artist and photographer Trevor Paglen</a>). </div><div>
<br></div><div>At the same time, experiments such as Moltbook offer a glimpse of what an agentic internet might look like—one in which we may no longer know whether we are interacting with humans or bots.</div><div><br></div><div>Gramsci’s words remind us that moments like this are decisive. The future is not yet born—and what emerges in its place depends on how we understand, shape, and respond to the forces at work today (more on this in this month’s <a
style="color:#000000;" href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG8b">blog post by Mario Schmidhumer</a>).</div><div><br></div><div>With this in mind, we continue working with artists, creators, and companies around the world to help shape alternative futures—and to move, collectively, in a more thoughtful and responsible direction.</div><div><br></div><div>Thank you for being part of it!<br>Your Ars Electronica Team</div></div></div></td></tr></table></td></tr></table></td></tr></table><table width="100%" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr>
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<td class="background-dark l-row tmpl--padding" style="text-align:center;background-color:inherit;padding-left:66px;padding-right:66px;" bgcolor="inherit"><a name="sec_b85c3ed5d622425d8a9eecd5be0e27ce"><span></span></a><div style="margin:0 auto;;;" align="center"><!--[if (gte mso 9)|(IE)]><table width="100%;" align='center' style="margin:0 auto;;;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td><![endif]--><div class="scale-big"><a href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG7i"><img
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style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;" class="text-light"><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;">The lonely genius is a thing of the past</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:16px;line-height:25px;text-align:left;" class="a_dark text-light"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:16px;line-height:25px;text-align:left;">The future is co-created: In networked systems, many people work together to shape the future, take responsibility, and develop viable solutions to complex challenges. Artists play a special role in this: They continuously experiment with new forms of collaboration, beyond economic schools of thought and established hierarchies.</div></div><div
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align="left"><!--[if (gte mso 9)|(IE)]><table cellpadding="0" cellspacing="0" border="0" role="presentation" align="left"><tr><td style="background-color:#000000;width:250px;text-align:center;padding-top:7px;padding-bottom:7px;"><![endif]--><!--[if ! (gte mso 9)|(IE)]> --><div class="background-light border-category-light" style="border:1px solid #FFFFFF;display:inline-block;background-color:#000000;width:250px;text-align:center;padding-top:7px;padding-bottom:7px;"><!--<![endif]--><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#FFFFFF;font-size:21px;line-height:32px;text-transform:uppercase;font-style:italic;text-align:center;line-height:33px;font-weight:600;" class="text-dark"><div
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style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:11px;line-height:16px;text-align:left;">Trevor Paglen</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;" class="text-light"><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;">The Politics of Seeing and Being Seen</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:16px;line-height:25px;text-align:left;" class="a_dark text-light"><div
style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:16px;line-height:25px;text-align:left;">Using both the conditions and limitations of the photographic medium, Trevor Paglen's investigations into state surveillance, military operations, and data collection raise questions about truth, deception, and imagination. In the new episode of "Art Is Not a Thing" we talk to the American photographer, author, and geographer about UFOs, psyops, the power of manipulation, and how seeing and being seen are deeply political.</div></div><div height="38" style="height:38px;font-size:38px;line-height:38px;"> </div><div style="text-align:left;"><div style="display:inline-block;"><table
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<td class="background-dark tmpl--padding l-row" style="text-align:center;background-color:inherit;font-size:0;line-height:0;" bgcolor="inherit"><!--[if (gte mso 9)|(IE)]><table cellpadding="0" cellspacing="0" border="0" role="presentation" style="width:100%;"><tr><td style="text-align:left;"><![endif]--><div align="left"><!--[if (gte mso 9)|(IE)]><table cellpadding="0" cellspacing="0" border="0" role="presentation" align="left"><tr><td style="background-color:#000000;width:250px;text-align:center;padding-top:7px;padding-bottom:7px;"><![endif]--><!--[if ! (gte mso 9)|(IE)]> --><div class="background-light border-category-light" style="border:1px solid #FFFFFF;display:inline-block;background-color:#000000;width:250px;text-align:center;padding-top:7px;padding-bottom:7px;"><!--<![endif]--><div
style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#FFFFFF;font-size:21px;line-height:32px;text-transform:uppercase;font-style:italic;text-align:center;line-height:33px;font-weight:600;" class="text-dark"><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:21px;line-height:32px;text-transform:uppercase;font-style:italic;text-align:center;line-height:33px;font-weight:600;" class="replaceTable">ARCHIVE</div></div><!--[if ! (gte mso 9)|(IE)]> --></div><!--<![endif]--><!--[if (gte mso 9)|(IE)]></td></tr></table><![endif]--></div><!--[if (gte mso 9)|(IE)]></td></tr></table><![endif]--><div height="50" style="height:50px;font-size:50px;line-height:50px;"> </div></td></tr></table></td></tr></table></td></tr></table><table
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</span></a><div style="margin:0 auto;;;" align="center"><!--[if (gte mso 9)|(IE)]><table width="100%;" align='center' style="margin:0 auto;;;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td><![endif]--><div class="scale-big"><a href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG7l"><img src="https://cdn.mlwrx.com/Media/6fc5c5ac-c039-4bef-a278-faaaf526842d/2026/Ars-Electronica-News-12026-DE/gulliversworld_8c6d9029-6f3f-46c4-82b6-30962787209d.jpg" width="568" height="310" border="0" style="display:block;" alt="gulliversworld.jpg"></a></div><div
height="15" style="height:15px;font-size:15px;line-height:15px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#707070;font-size:11px;line-height:16px;text-align:left;" class="scale"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:11px;line-height:16px;text-align:left;">Gulliver’s World, Photo: pilo</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;" class="text-light"><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;">Cutting Edge: Dive into new worlds</div></div><div
height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:16px;line-height:25px;text-align:left;" class="a_dark text-light"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:16px;line-height:25px;text-align:left;">For our blog series Cutting Edge, we ask members of the Ars Electronica team to delve into our archive. In this issue, Michael Mondria, Managing Director at Ars Electronica Solutions, gives us an insight into “Gulliver’s World”, a project that turned visitors into active creators, enabling them to create, modify, and develop their own virtual worlds.</div></div><div
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class="background-light border-category-light" style="border:1px solid #FFFFFF;display:inline-block;background-color:#000000;width:250px;text-align:center;padding-top:7px;padding-bottom:7px;"><!--<![endif]--><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#FFFFFF;font-size:21px;line-height:32px;text-transform:uppercase;font-style:italic;text-align:center;line-height:33px;font-weight:600;" class="text-dark"><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:21px;line-height:32px;text-transform:uppercase;font-style:italic;text-align:center;line-height:33px;font-weight:600;" class="replaceTable">OPEN CALLS</div></div><!--[if ! (gte mso 9)|(IE)]> --></div><!--<![endif]--><!--[if (gte mso 9)|(IE)]></td></tr></table><![endif]--></div><!--[if (gte mso 9)|(IE)]></td></tr></table><![endif]--><div
height="50" style="height:50px;font-size:50px;line-height:50px;"> </div></td></tr></table></td></tr></table></td></tr></table><table width="100%" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="background-bg-dark" style="background-color:#F4F4F4;" bgcolor="#F4F4F4"><table class="full" width="700" cellpadding="0" cellspacing="0" border="0" role="presentation" align="center"><tr><td class="background-bg-dark" style="background-color:#FFFFFF;"><table class="full" align="center" style="width:700px;max-width:700px;margin-left:auto;margin-right:auto;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr>
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height="15" style="height:15px;font-size:15px;line-height:15px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#707070;font-size:11px;line-height:16px;text-align:left;" class="scale"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:11px;line-height:16px;text-align:left;">Photo: Ars Electronica / Martin Hieslmair</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;" class="text-light"><div
style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;">Prix Ars Electronica & S+T+ARTS Prize 2026</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:16px;line-height:25px;text-align:left;" class="a_dark text-light"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:16px;line-height:25px;text-align:left;">Several of our open calls are still running until March 4: The <a style="color:#000000;" href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG8z">Prix Ars Electronica</a> is looking for groundbreaking media art projects, while the <a
style="color:#000000;" href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG8A">S+T+ARTS Prize</a> seeks innovative works at the intersection of art, technology, and science. Winners can look forward to prize money of up to €10,000 and prominent appearances at the Ars Electronica Festival.</div></div><div
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<td class="background-bg-dark" style="background-color:#FFFFFF;"><table class="full" align="center" style="width:700px;max-width:700px;margin-left:auto;margin-right:auto;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="background-dark l-row tmpl--padding" style="text-align:center;background-color:inherit;padding-left:66px;padding-right:66px;" bgcolor="inherit"><a name="sec_0004b211b39b484aa3b8b4f803740eba"><span></span></a><div style="margin:0 auto;;;" align="center"><!--[if (gte mso 9)|(IE)]><table width="100%;" align='center' style="margin:0 auto;;;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td><![endif]--><div class="scale-big"><a href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG7p"><img
src="https://cdn.mlwrx.com/Media/6fc5c5ac-c039-4bef-a278-faaaf526842d/2026/Ars-Electronica-News-12026-DE/_emapcall_e79e9ffd-3a78-422a-97e0-beab021233f8.png" width="568" height="310" border="0" style="display:block;" alt="emapcall.png"></a></div><div height="15" style="height:15px;font-size:15px;line-height:15px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#707070;font-size:11px;line-height:16px;text-align:left;" class="scale"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:11px;line-height:16px;text-align:left;">Biosymbiotic Exoskeleton / Dorotea Dolinšek, Photo: Matjaž Rušt</div></div><div
height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;" class="text-light"><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;">EMAP Artist Residencies 2026</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:16px;line-height:25px;text-align:left;" class="a_dark text-light"><div
style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:16px;line-height:25px;text-align:left;"><div class="ewa-rteLine">With the support of the European Union’s Creative Europe programme, the European Media Art Platform (EMAP) invites artists working in digital, media, robotic, and bio art to apply for a two-month residency in 2026. The call is open until March 13.</div></div></div><div height="38" style="height:38px;font-size:38px;line-height:38px;"> </div><div style="text-align:left;"><div style="display:inline-block;"><table style="text-align:left;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="a_dark border-light" style="text-align:left; padding-top:11px;padding-bottom:11px;background:inherit;border: 2px solid #000000;" bgcolor="inherit"><!--[if (gte mso 9)|(IE)]><table cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td> </td><td class="a_dark"><![endif]--><a
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class="background-dark l-row tmpl--padding" style="text-align:center;background-color:inherit;padding-left:66px;padding-right:66px;padding-top:80px;" bgcolor="inherit"></td></tr></table></td></tr></table></td></tr></table><table width="100%" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="background-bg-dark" style="background-color:#F4F4F4;" bgcolor="#F4F4F4"><table class="full" width="700" cellpadding="0" cellspacing="0" border="0" role="presentation" align="center"><tr><td class="background-bg-dark" style="background-color:#FFFFFF;"><table class="full" align="center" style="width:700px;max-width:700px;margin-left:auto;margin-right:auto;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="background-dark l-row tmpl--padding" style="text-align:center;background-color:inherit;padding-left:66px;padding-right:66px;" bgcolor="inherit"><a
name="sec_da8394ecd8cf4daaa67b954b1808f44f"><span></span></a><div style="margin:0 auto;;;" align="center"><!--[if (gte mso 9)|(IE)]><table width="100%;" align='center' style="margin:0 auto;;;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td><![endif]--><div class="scale-big"><a href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG7r"><img src="https://cdn.mlwrx.com/Media/6fc5c5ac-c039-4bef-a278-faaaf526842d/2026/Ars-Electronica-News-12026-DE/prix1_762a7d97-8543-49b9-b6bf-a0d002151d25.jpg" width="568" height="310" border="0" style="display:block;" alt="prix1.jpg"></a></div><div
height="15" style="height:15px;font-size:15px;line-height:15px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#707070;font-size:11px;line-height:16px;text-align:left;" class="scale"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:11px;line-height:16px;text-align:left;">Photo: Planetum</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;" class="text-light"><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;">Prix Ars Electronica Jury 2026</div></div><div
height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:16px;line-height:25px;text-align:left;" class="a_dark text-light"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:16px;line-height:25px;text-align:left;">Every year since 1987, an ever-changing jury of international experts meets in Linz, Austria, to jointly select the winners of the prestigious Prix Ars Electronica. The jury members for 2026 have now been confirmed.</div></div><div
height="38" style="height:38px;font-size:38px;line-height:38px;"> </div><div style="text-align:left;"><div style="display:inline-block;"><table style="text-align:left;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="a_dark border-light" style="text-align:left; padding-top:11px;padding-bottom:11px;background:inherit;border: 2px solid #000000;" bgcolor="inherit"><!--[if (gte mso 9)|(IE)]><table cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td> </td><td class="a_dark"><![endif]--><a href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG7s" class="text-light" target="_blank" style="font-weight:600;padding-left:18px;padding-right:18px;font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#FFFFFF;font-size:16px;line-height:25px;text-decoration:none;display:inline-block;line-height:24px;">Read more</a><!--[if (gte mso 9)|(IE)]></td><td> </td></tr></table><![endif]--></td></tr></table></div></div><!--[if (gte mso 9)|(IE)]></td></tr></table><![endif]--></div></td></tr></table></td></tr></table></td></tr></table><table
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height="50" style="height:50px;font-size:50px;line-height:50px;"> </div></td></tr></table></td></tr></table></td></tr></table><table width="100%" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="background-bg-dark" style="background-color:#F4F4F4;" bgcolor="#F4F4F4"><table class="full" width="700" cellpadding="0" cellspacing="0" border="0" role="presentation" align="center"><tr><td class="background-bg-dark" style="background-color:#FFFFFF;"><table class="full" align="center" style="width:700px;max-width:700px;margin-left:auto;margin-right:auto;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td class="background-dark l-row tmpl--padding" style="text-align:center;background-color:inherit;padding-left:66px;padding-right:66px;" bgcolor="inherit"><a
name="sec_a32ef585bdb44256b024772728316d75"><span></span></a><div style="margin:0 auto;;;" align="center"><!--[if (gte mso 9)|(IE)]><table width="100%;" align='center' style="margin:0 auto;;;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td><![endif]--><div class="scale-big"><a href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG7t"><img src="https://cdn.mlwrx.com/Media/6fc5c5ac-c039-4bef-a278-faaaf526842d/2026/Ars-Electronica-News-12026-DE/dogonaleash_62ff2e1e-b847-414f-82cb-a9e735ea351b.png" width="568" height="310" border="0" style="display:block;" alt="dogonaleash.png"></a></div><div
height="15" style="height:15px;font-size:15px;line-height:15px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#707070;font-size:11px;line-height:16px;text-align:left;" class="scale"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:11px;line-height:16px;text-align:left;">Dynamics of a Dog on a Leash / Takayuki Todo, Photo: vog.photo</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;" class="text-light"><div
style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;">Curating Temporality: Embodied and Political Listening in Ephemeral Soundscapes</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:16px;line-height:25px;text-align:left;" class="a_dark text-light"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:16px;line-height:25px;text-align:left;">The barking of a robotic dog, the scraping of a chain across the floor, the audience’s low whispers, a sound that evokes light, and a sound rising in the dark. These are the sounds Son Hyerim remembers from her time at the Ars Electronica Festival as curator in residence of the ARKO-sponsored Curatorial Residency Program. In a guest article, she shares her personal reflections on the time spent there.</div></div><div
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align="left"><!--[if (gte mso 9)|(IE)]><table cellpadding="0" cellspacing="0" border="0" role="presentation" align="left"><tr><td style="background-color:#000000;width:250px;text-align:center;padding-top:7px;padding-bottom:7px;"><![endif]--><!--[if ! (gte mso 9)|(IE)]> --><div class="background-light border-category-light" style="border:1px solid #FFFFFF;display:inline-block;background-color:#000000;width:250px;text-align:center;padding-top:7px;padding-bottom:7px;"><!--<![endif]--><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#FFFFFF;font-size:21px;line-height:32px;text-transform:uppercase;font-style:italic;text-align:center;line-height:33px;font-weight:600;" class="text-dark"><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:21px;line-height:32px;text-transform:uppercase;font-style:italic;text-align:center;line-height:33px;font-weight:600;" class="replaceTable">FUTURELAB</div></div><!--[if ! (gte mso 9)|(IE)]> --></div><!--<![endif]--><!--[if (gte mso 9)|(IE)]></td></tr></table><![endif]--></div><!--[if (gte mso 9)|(IE)]></td></tr></table><![endif]--><div
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height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;" class="text-light"><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;">Johann Strauss II and Creative AI</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:16px;line-height:25px;text-align:left;" class="a_dark text-light"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:16px;line-height:25px;text-align:left;">How can artists use the creative potential of AI technologies? On the occasion of the 200th birthday of the world-famous composer Johann Strauss II in 2025, the Ars Electronica Futurelab is addressing this question with Walzersymphonie (Waltz Symphony).</div></div><div
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</span></a><div style="margin:0 auto;;;" align="center"><!--[if (gte mso 9)|(IE)]><table width="100%;" align='center' style="margin:0 auto;;;" cellpadding="0" cellspacing="0" border="0" role="presentation"><tr><td><![endif]--><div class="scale-big"><a href="https://cdn.mlwrx.com/sys/r.aspx?sub=kHbVMrD6af2-dPAXibCbLCw_kBSKKmAMZuo-91csh9ohGc9_6efkXKinB0D-81atExvOvan&tid=19gdrB-Dx5lm-5XwaDDMaan9-eHyGuHV1we8&enc=3KpRFHxcn0dbmSuKyy6-EC7KkdYocAV5LEQUXK6g0djalUZh5a61BNrFCchYeEhXDdAtlfKjxhkahv5b5DmDp!IBEikjtJMa2nAHOzjyT001&link=XG7y"><img src="https://cdn.mlwrx.com/Media/6fc5c5ac-c039-4bef-a278-faaaf526842d/2026/Ars-Electronica-News-12026-DE/mozxr_80f6e893-9d0b-460a-ba3a-3c72237504a1.png" width="568" height="310" border="0" style="display:block;" alt="mozxr.png"></a></div><div
height="15" style="height:15px;font-size:15px;line-height:15px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#707070;font-size:11px;line-height:16px;text-align:left;" class="scale"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:11px;line-height:16px;text-align:left;">Photo: tom mesic</div></div><div height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;" class="text-light"><div style="font-family:'FontHL', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:26px;line-height:39px;text-align:left;font-weight:bold;line-height:34px;">New Master's program Immersive Arts and Digital Narratives</div></div><div
height="20" style="height:20px;font-size:20px;line-height:20px;"> </div><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:#000000;font-size:16px;line-height:25px;text-align:left;" class="a_dark text-light"><div style="font-family:'FontText', Arial, Verdana, Tahoma, sans-serif;color:inherit;font-size:16px;line-height:25px;text-align:left;">The Mozarteum University in Salzburg and the Ars Electronica Futurelab are collaborating on the X-Reality-Lab, where artistic innovations – from interactive dance performances to immersive theater productions – can be realized at the highest technical level. In the fall semester of 2026, the Mozarteum will launch the new two-year Master’s program Immersive Arts and Digital Narratives. The Futurelab will support the launch with lectures.</div></div><div
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